Wall Of Sound Records Stereo 2011 New Sealed
As a youngster, I spent years wondering why in A View To A Kill James Bond was boning a man. Grace Jones played the androgynous villainess 'May Day', whom according to the writers was 'the product of a Nazi genetic breeding experiment which gave children great strength and intelligence at the expense of making them psychopathic'. Assuming that engineering a race of angry, superhuman black people was top of the Nazi agenda, it was as plausible a backstory for unearthly diva Jones as any other. That is until 22 years later, on 2008's electro-rock extravaganza Hurricane, when Jones set the record straight. Scattered between emasculating fare like the title track and 'Corporate Cannibal' - self-referential tributes to an omnivorous libido and Gracey's mad royalty – the autobiographical 'William's Blood' and 'This Is' depicted a childhood of religious repression and strong females role models to account for Jones' hell-raising liberation in New York's disco scene. It would be much earlier in my life that "The bubbles tickle my . . . Tchaikovsky!" was accounted for. Oh, Bond. You knob.
Side 1.
1. This Is DUB
2. William’s DUB
Side 2.
1. Hurricane DUB
2. Love You To Life DUB
Side 3.
1. Well Well Well DUB
2. Sunset DUB
3. Devil DUB
Side 4.
1. Cannibal DUB
2. Crying DUB
3. Hell DUB
Available Options:
Condition:
